For Black· 6 chapters· Free

Slav Defense

2...c6 defends d5 so a pawn recaptures if White trades. You get clear plans and traps that punish common mistakes.

Train this repertoire free
Slav Defense: position after 1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. Nf3 dxc4 5. a4 Bf5
After 1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. Nf3 dxc4 5. a4 Bf5

Chapters

Each chapter shows its main line move by move, with the coach's comments.

  1. Three Knights Variation (4.Nf3, after 3.Nc3 3...Nf6): position after 1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. Nf3 dxc4 5. a4 Bf5 6. e3 e6 7. Bxc4 Bb4 8. O-O O-O 9. Qe2 Bg6 10. Ne5 Nbd7 11. Nxg6 hxg6 12. Rd1 Qc7

    Three Knights Variation (4.Nf3, after 3.Nc3 3...Nf6)

    After 4.Nf3 dxc4 5.a4, meet 5...Bf5, 6.e3 e6 and develop with Bb4, O-O and Bg6, aiming for ...Qc7 to prep ...e5. You accept the bishop pair but get doubled g-pawns and a queenside majority.

    1 · 17 lines
  2. 4.Bg5 Lines (after 3.Nc3 3...Nf6): position after 1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. Bg5 dxc4 5. e4 b5 6. a4 b4 7. Na2 Nxe4 8. Be3 b3

    4.Bg5 Lines (after 3.Nc3 3...Nf6)

    White meets ...Nf6 with 4.Bg5, then often plays 6.a4, a mistake. Meet it with 6...b4, grab the pawn with 7...Nxe4, and push 8...b3. Trade on c3 with Nxc3, develop Be6, and hit White's weak pawns with Qa5.

    2 · 13 lines
  3. 4.Bf4 Lines (after 3.Nc3 3...Nf6): position after 1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. Bf4 dxc4 5. e3 b5 6. a4 Qb6 7. axb5 cxb5 8. Nf3 e6 9. Be2 Bb4

    4.Bf4 Lines (after 3.Nc3 3...Nf6)

    White develops 4.Bf4, then tries 6.a4 to challenge your queenside after you play 5...b5. Castle, retreat your bishop to e7, then push b4 and bring your bishop to a6. Aim for a queenside pawn majority against White's isolated b2 pawn.

    3 · 8 lines
  4. Other 4th moves after 3.Nc3 3...Nf6 (4.e3): position after 1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 Bf5 5. Nf3 e6 6. Bd3 Bxd3 7. Qxd3 h6 8. O-O Nbd7

    Other 4th moves after 3.Nc3 3...Nf6 (4.e3)

    After 4.e3, play 4...Bf5 and meet 5.Nf3 with 5...e6, offering a trade with 6...Bxd3 if given the chance. You aim for a solid, easy setup with your king safely castled.

    4 · 3 lines
  5. Modern Line (3.Nf3): position after 1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3

    Modern Line (3.Nf3)

    White plays the Modern Line with 3.Nf3, then develops with 4.Nc3, eyeing your d5 pawn. You meet 1.d4 with ...d5 and 2.c4 with ...c6, so a pawn can recapture on d5 and hold the center. Aim for a solid Slav Defense structure with your center firmly supported.

    5 · 5 lines
  6. Exchange Variation (3.cxd5): position after 1. d4 d5 2. c4 c6 3. cxd5 cxd5 4. Nc3 Nf6 5. Nf3 Nc6 6. Bf4 Bf5 7. e3 e6 8. Bd3 Bxd3 9. Qxd3 Be7 10. O-O O-O 11. a3 a6

    Exchange Variation (3.cxd5)

    White opens lines early with 3.cxd5, the Exchange Slav. You recapture cxd5, develop with Nf6, Nc6 and Bf5, then play e6 and trade bishops on d3 before castling. Watch the trap after 5.Bg5 Ne4 6.Nxe4 dxe4 7.e3 Qa5+, winning a piece. Aim for a plan with a6, Na5 and Rc8, trading rooks on the open c-file.

    6 · 9 lines

About this repertoire

2...c6 defends d5 so a pawn recaptures if White trades. You get clear plans and traps that punish common mistakes.

The Slav lets you hold the center with pawns instead of pieces, and this course covers every major White try after 2...c6, from the Three Knights to the Exchange Variation. You get a plan for each line, three traps that win material against common amateur mistakes, and master games and puzzles to drill the ideas.

After 2...c6. You shore up your d5 pawn, so if White takes on d5 a pawn recaptures and holds the center, opening the Slav Defense.
After 2...c6. You shore up your d5 pawn, so if White takes on d5 a pawn recaptures and holds the center, opening the Slav Defense.

What you'll learn

Three Knights Variation (4.Nf3, after 3.Nc3 3...Nf6)

1.d4 d5 2.c4 c6 3.Nc3 Nf6 4.Nf3

White develops naturally with 4.Nf3, so you grab the pawn with 4...dxc4 and hold it with 5...Bf5 and 6...e6. Watch for amateur tries like 6.Bg5 and 7.Na2, two traps that let you win a piece.

After 12...Qc7. White has the bishop pair and your g-pawns are doubled, but you have a queenside pawn majority and your queen backs a future push to e5.
After 12...Qc7. White has the bishop pair and your g-pawns are doubled, but you have a queenside pawn majority and your queen backs a future push to e5.

4.Bg5 Lines (after 3.Nc3 3...Nf6)

1.d4 d5 2.c4 c6 3.Nc3 Nf6 4.Bg5

4.Bg5 invites 4...dxc4, and you defend the pawn with 5...b5. Amateurs often play 6.a4 and 7.Na2, mistakes you punish with 6...b4 and 7...Nxe4, grabbing a second pawn while attacking the bishop on g5. From there you push 8...b3, aiming to trade on c3 and swing your queen to a5 against White's weak pawns.

After 8...b3. Your knight on e4 and a coming ...Nxc3 and ...Qa5 leave you two pawns up and clearly winning.
After 8...b3. Your knight on e4 and a coming ...Nxc3 and ...Qa5 leave you two pawns up and clearly winning.

4.Bf4 Lines (after 3.Nc3 3...Nf6)

1.d4 d5 2.c4 c6 3.Nc3 Nf6 4.Bf4

4.Bf4 lets you take 4...dxc4 and defend it with 5...b5. Amateurs often play 7.axb5, a mistake you meet with 7...cxb5 to keep your extra pawn safe for good. You finish development with 8...e6 and 9...Bb4, planning to castle and later push ...b4 with ...Ba6 against White's isolated b2 pawn.

After 9...Bb4. You hold a queenside pawn majority while White's b2 pawn sits isolated, and you plan to castle and swing your bishop to e7.
After 9...Bb4. You hold a queenside pawn majority while White's b2 pawn sits isolated, and you plan to castle and swing your bishop to e7.

Other 4th moves after 3.Nc3 3...Nf6 (4.e3)

1.d4 d5 2.c4 c6 3.Nc3 Nf6 4.e3

White often offers a trade of bishops with 6.Bd3, and you take with 6...Bxd3, meeting 7.Qxd3 with 7...h6 to deny the g5 square. After White castles you finish with 8...Nbd7, ready to meet a future e4 push with ...dxe4.

After 8...Nbd7. You plan to trade on e4 with ...dxe4, then develop your bishop to d6 and castle.
After 8...Nbd7. You plan to trade on e4 with ...dxe4, then develop your bishop to d6 and castle.

Modern Line (3.Nf3)

1.d4 d5 2.c4 c6 3.Nf3

3.Nf3 delays Nc3, and 3...Nf6 4.Nc3 transposes into the same Slav structures you already know. If White tries 4.cxd5 instead, you recapture with 4...cxd5, and against 4.g3 you develop with ...Bf5, ...e6 and later ...a6, ...Nbd7 and ...Ng4, aiming for a timely ...e5.

After 4.Nc3. White's knight adds pressure on your d5 pawn, steering the game back toward familiar Slav ground.
After 4.Nc3. White's knight adds pressure on your d5 pawn, steering the game back toward familiar Slav ground.

Exchange Variation (3.cxd5)

1.d4 d5 2.c4 c6 3.cxd5

3.cxd5 opens the Exchange Variation, and you recapture with 3...cxd5 to open the c-file. You develop with ...Nf6, ...Nc6, ...Bf5 and ...e6, trade bishops after 8.Bd3 Bxd3, and finish with ...Be7 and castling. Watch for the trap after 5.Bg5 Ne4 6.Nxe4 dxe4 7.e3, where 7...Qa5+ wins you a piece.

After 11...a6. You plan ...Na5 and ...Rc8, trading rooks on the open c-file against White's position.
After 11...a6. You plan ...Na5 and ...Rc8, trading rooks on the open c-file against White's position.

What's inside

  • 3 traps featured as priority lines, so you learn the tricks that win games first.
  • Amateur mistakes flagged. Moves most amateurs choose but masters avoid are called out when you meet them.
  • 8 master games played in these lines, linked from the moves where they leave the course.
  • 26 puzzles from real games of this opening.

Why this repertoire?

  • Built for amateurs. The traps target mistakes that show up often between 1600 and 2200, like 6.a4 and 7.axb5.
  • Little to memorize. A short set of main lines covers each White try, from the Three Knights to the Exchange Variation.
  • Recurring plans, not just moves. You develop with ...Bf5 or ...Bg6, meet pins with ...e6, and aim for a queenside pawn majority or a timely ...e5.
  • Understanding over memorizing. Every move comes with the idea behind it, so you can adapt when your opponent deviates.
  • Backed by real games. Master games and puzzles reinforce the same ideas you study in the lines.

Train the Slav Defense repertoire

Play every line on the board and let spaced repetition bring back the moves you forget. Free to start.

Train this repertoire free